The voices of the two leads were absolutely amazing, especially Kelli O'Hara's crystal clear voice. Before going to NYC in the spring I was least excited to see the musical South Pacific.

The musical echoes of classic Broadway with an outstanding pit orchestra dressed to the nines in tuxedos and black dresses, it was a welcome change from the lax behavior often seen in orchestras with the tubas doing crossword puzzles and absentmindedly listening to the show. I could not have been more wrong. The CD also has a few numbers not included in other cast recordings, songs like "My Girl Back Home" especially show off the voice of Matthew Morrison, previously seen in the "Light in the Piazza." This recording is differs from prior recordings in tone and sound quality.

Remembering only the low-quality film version I had seen as a child I thought the musical would be dull. The cast and orchestra are extraordinary and no matter how many of the other recordings you already own or how jaded you are by Broadways somewhat drift from classical musicals you should purchase this recording. The CD remarkably captures her clarity as well as the beauty of the original sweeping orchestrations.

The quality really brings a lot of energy to the CD that had been lost in the other CD's.

Rodgers and Hammerstein forever. New voices with new interpretations provide a wonderful ride down memory trail. There music never gets old or dated. You have to force yourself not to sing along, you know the words to all of the songs; however,you cannot do justice to these performances.

Item came on time. However, title would not show up on the computer and did not import properly.

We felt as if we were in the theater again. Fine sound, and even some connecting dialog. So enjoyable that I am going to buy another one.

As smooth a production as this current version is, even the Tony award winning Paulo Szot and perfect technique of Kelly O'Hara can't match the vocal beauty and excitement of the original cast. Ho-hum. Of course the music is timelessly great but the woman who sings Bloody Mary doesn't capture the native sounding joy of the original. I'm afraid broadway singing has gone the way of the rest of American culture - into mediocrity.