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The Thief of Bagdad - Criterion Collection
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Editorial Reviews:
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Legendary producer Alexander Korda's marvel The Thief of Bagdad, inspired by The Arabian Nights, is one of the most spectacular fantasy films ever made, an eye-popping effects pioneer brimming with imagination and technical wizardry. When Prince Ahmad (John Justin) is blinded and cast out of Bagdad by the nefarious Jaffar (Conrad Veidt), he joins forces with the scrappy thief Abu (the incomparable Sabu, in his definitive role) to win back his royal place, as well as the heart of a beautiful princess (June Duprez). With its luscious Technicolor, vivid sets, and unprecedented visual wonders, The Thief of Bagdad has charmed viewers of all ages for decades.
Special Features * - SPECIAL EDITION DOUBLE-DISC SET FEATURES: * - New digital transfer, from restored film elements * - Two audio commentaries: one featuring renowned directors Francis Ford Coppola and Martin Scorsese, and one with film and music historian Bruce Eder * - Visual Effects,, a documentary about the technical achievements of The Thief of Bagdad * - The Lion Has Wings (1940), Alexander Korda's propaganda film for the English war effort, created when The Thief of Bagdad went into production hiatus * - Excerpts from codirector Michael Powell's audio dictations for his autobiography * - Excerpts from a 1976 radio interview with composer Miklos Rózsa * - Stills gallery featuring rare images of the film's production and photos shot in Dufaycolor Optional music and effects track * - Theatrical trailer * - PLUS: A booklet featuring new essays by film scholars Andrew Moor and Ian Christie
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Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon
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The Thief of Bagdad - Criterion Collection
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User Comments About The Thief of Bagdad - Criterion Collection
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Back when we knew a bit less about the real Middle East, the "Easterns",Arabian-Nights-inspired fantasy movies, were a popular genreand "The Thief of Bagdad" is the granddaddy of them all. The acting is very good and the special effects (no computers then) are a wonder. The movie is splendid entertainment, but for those who insist on reality, the added discussion material deals with how Easterns fit in with ideas about colonialism that were current back then.
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We were getting tired of the disney princess aladdin story. Our five year old daughter loved this more original story -and so did we. Good story telling, neat old-school special effects.
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The effects are marvelous for the time, and even for now. Sabu was beleivable; Conrad Veidt was villainous; and the love interest was more steamy than explicit. The next best thing was the music after all these years I can still (badly )sing Sabu's "tinker,tailor" song The Criterion remastering was outstanding as are all the films they do. I remembered this as a child, loved it then and still do. However, for me the best role was Rex Ingram as the djin in those days parts that memorable for large black actors were very rare. In sum: A treat I treasure.
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A classic that can never be topped!
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What a pleasure to immerse myself in this fantasy classic once more, in all its brilliant Technicolor splendor. All of these are wonderful additions to the film. If you aren't hooked by now, this clearly isn't the film for you. And there's so much more here, from an evil magician of suave, moustache-twirling malevolence, to a handsome & heroic Prince & his lovely Princess, to a genie exuberantly bursting free from centuries of imprisonment, to. Most highly recommended.
But Criterion has done its usual excellent job, providing us with crisp sound & dazzling restoration, as well as two commentary tracks & several informative features. but why go on. Let me repeat that: "climbing a giant cobweb within a monstrous statue in a temple atop the world." Really, adventure just doesn't get any better than this. Forget CGI, MTV editing, allegedly gritty "realism," bullet time, and all the other superficial tricks used to prop up a basically bad film, because this one has the only truly vital ingredient required: terrific storytelling. And the cast couldn't be better especially Sabu, who brings vitality, humor, and joyful energy to every scene he's in, whether plying his trade as a thief, or climbing a giant cobweb within a monstrous statue in a temple atop the world.
I just hope that nobody ever decides to remake & "improve" it, because that's simply not possible. Frankly, even without the copious extras, this is a film worth owning. but it's the film itself that matters.
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Conrad Veidt as Jaffar is the Grandfather of Vadar and Aabu makes a great Abu. June Duprez, who has a cute behind, plays The Princess. Kids, parents and small animals will enjoy this movie. The movie has a great plot and some of the best actors ever. The extras, such as the commentaries, radio interviews and the still gallery really add to the, already, great value. No, no name, just The Princess. I really enjoyed the extras that roamed the streets, the market place, the feeling of entering true cities.
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