I like pretty much all kinds of music, short of extremely hardcore rap and country. Jason Mraz is one of the best singers I've ever heard and his amazing songwriting ability creates a dreamlike musical experience that I feel like I can relate to personally in my own life. This music helped me through lots of hard times and I can't recommend it highly enough.

Jason Mraz is an amazing musician in that he is so versitile. He sings something for everyone on this album. I am 47, my daughters are 12 and 15, and we all love his music.

I listened to a few samples and went out to buy the album the next day. Absolutely recommended. I never heard of Jason Mraz until a week ago when Amazon suggested the album when I was browsing for Lizz Wright. The songs are extremely catchy, all have their own character, are really original and do not bore you after a few listens. The production is also top-notch, quality of the recording/mixing is fabulous. The use of a horn section on a few songs is excellent, reminds me of Phil Collins' earlier albums.

For his third album, We Sing, We Dance, We Steal Things, singer-songwriter Jason Mraz has delivered a breezy collection of pop songs that take their cues from the '70s. Lucky continues the acoustic vibe and benefits from a lovely boy-girl vocal trade-off between Mraz and Caillat. That said, some of the songwriting displays real honesty, while two collaborations - with James Morrison and Colbie Caillat. Details In The Fabric, meanwhile, is a pick-me-up for anyone who's feeling down, a beautifully constructed slow-burner that's all about reassurance and friendship. The result is an engaging, easygoing listen that never quite gets out of first gear. It's unashamedly optimistic, boasting lines such as "lucky I'm in love with my best friend, lucky to have been where I've been, lucky to be coming home again". In stark contrast, however, comes Love For A Child, a tender, heartfelt lament from a child who wishes his parents had been better. It's a sobering reminder of Mraz's diverse ability to mix fun and melodrama, frivolty with seriousness.

Mraz's cheeky side is exemplified in the sexy Butterfly, an ode to a woman's "secret smile", that boasts such suggestive lyrics as "let me feel feel you upside down, slide in, slide out." and "I want to flower you". The reggae-infused "I'm Yours", which really ought to become one of the summer's great love anthems - a song so sweet and happy. The songs wash over you, often like a cool breeze on a hot summer's day, but unlike previous Mraz LPs there's a sense that he's a little too chilled musically and there's not enough diversity. It's built around some tender acoustic guitar licks and a nice vocal collaboration from James Morrison. It's snappy and once again propelled by a horn section that adds extra charm. And it's a real grower.

But then there were others. Okay, I love Jason Mraz. I did not, however, enjoy Jason's new album as much as I hoped. I don't like the style exhibited in, for example, Coyotes. for example, I'm Yours, Live High, Love for a Child, Details In the Fabric, etc., and those are the ones I love.

Some of the songs were undeniably Jason's. It just doesn't work for me. I have great respect for him and his songwriting abilities, and I love his fun, easy style. A-Z' Jason, who was unpredictable by chance, and didn't seem to be trying so hard to be so. and that, I think, is where it goes downhill. I miss the 'Waiting For My Rocket To Come' and 'Mr.