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A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition)
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Editorial Reviews:
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A highly advanced robotic boy longs to become real so that he can regain the love of his human mother. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Haley Joel Osment Jude Law Run time: 145 minutes Rating: Pg13 Director: Stephen Speilberg
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History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brian Aldiss short story "Supertoys Last All Summer Long") after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home. Echoes of Spielberg's Empire of the Sun are clearly heard as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, even as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I. (complete with one of John Williams's finest scores), a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. --Jeff Shannon
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A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition)
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User Comments About A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition)
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A great fairy tale - except robots and good special effects.
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I LOVE sci-fi. I like the fact that it is a quiet movie that speaks more on a personal level than just action and blowing things up. I can watch this over and over. I love this movie.it tells a great story. A good drama.
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The artificial child David is created to have human emotion, in particular the ability to love. But it is an unrealistic and programmed love directed only at one person and not of the human kind. In the tear-jerking ending where David's "mother" spends one glorious last day with him and tells him that she has always loved him, she and her words are just the fabrication of the beings that recreated her for him. No real boy would have this everlasting and overpowering love for a miserable mother that abandoned him in the woods to die or fend for himself. His mother did not love him. The story is completely unfeasible, but is still a good one and very moving in parts. David's unrequited love is moving and pathetic.
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What more could we want for a post-apocalyptic- dystopia night. As a Kubrick film, one should know what to expect, but add in Steven Spielberg and the effect is warmer and still unsettling. Just a side issue: I would have preferred a wide-screen version, but this is still a fine addition to my Kubrick collection. Asimov) and "Space Odyssey:2001" or "Bicentennial Man" for a fun popcorn night. This movie was supposed to be done by Stanley Kubrick but he died before it was complete. I pair it with other robot movies like "I Robot" (I know.
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Makes me cry - 1 of my favorites
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I watch it every so often for catharsis (Titanic and Amelie and Shawshank Redemption does the same). They just 'evolved'. One of my favorites. It speaks to me on so many levels. Yes the creatures at the end are robots, not aliens which I thought at first. This movie makes me cry. It is very surreal too, which I enjoy.
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If you want Kubrick, see A Clockwork Orange, or Paths of Glory. Separately, each director rightly has his fans. or, in fact, that there was some sort of logical bridge that was not yet in place when Spielberg set to work. Kubrick likes to get under your skin with unsettling insights; Spielberg is the master of soapy drama and cheap-shot schlock. It is a film without any redeeming merit whatsoever. Spielberg has claimed that the (admittedly).
but the ending is like an additional slap in the face, brilliantly emphasizing what an idiot you were to sit through the rest. But if you value your time and your sanity at all, run a mile to avoid the embarrassing mess that is AI. Anything that Kubrick brought to the table is lost in a morass of Spielbergian sentimentality and a gush of glossy yet unappealing CGI special effects. well, AI fully demonstrates just how disastrous the pairing could possibly be. Together.
If you crave light entertainment, see Jaws, or Jurassic Park. Spielberg is prosaic, predictable, traditional. If so, we can only assume that Kubrick would have handled it very differently. The first two hours of this film are nauseating and tedious beyond belief. Kubrick is cerebral, passionate, hallucinatory.
It would be difficult to suggest a director less-suited to the handling of Kubrick's work than Spielberg. appalling Deus-ex-Machina ending was Kubrick's own.
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