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Do the Right Thing


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Editorial Reviews:  
 
 
The hottest day of the year in the bedford-stuyvesant area of brooklyn explodes into events that will change the residents lives forever. Studio: Uni Dist Corp. (mca) Release Date: 01/09/2007 Starring: Danny Aiello Ruby Dee Run time: 120 minutes Rating: R Director: Spike Lee
 
 
Spike Lee's incendiary look at race relations in America, circa 1989, is so colorful and exuberant for its first three-quarters that you can almost forget the terrible confrontation that the movie inexorably builds toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighborhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlor owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L. Jackson as deejay Mister Seņor Love Daddy. A rich and nuanced film to watch, treasure, and learn from--over and over again. --Jim Emerson
 


Do the Right Thing

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User Comments About Do the Right Thing
 
Before there was `Crash'...
 

The riot that ensues, after Mookie betrays his friend and boss Sal by vandalizing his store, is also a ridiculous example of Spike Lee missing the point. I actually thought that Spike Lee also turned out a really effective turn as well, even if his character turned into someone I loathed. Is Lee advocating the horrific riot or condemning it. I hated Pino and Buggin' Out, but that doesn't mean that Turturro and Esposito were bad, they just played annoying characters. Mike Aiello rightfully deserved that Oscar nomination. Like I said; put down the pen and just stick to directing; please.

The acting is actually very good all the way around, and elevates this D grade movie to a C-. Judging from the films construction it would appear he is advocating it. The fact that he expects us all to have the same opinion and openly rejects those who disagree makes him a poor choice for the campaigning of race relations in my opinion. The film takes place in Brooklyn on the hottest day of the year. The only thing that `Do the Right Thing' has going for it is the time issue, as in the film is set back in the 80's when this type of behavior was more prevalent (`Crash' is so incredibly unrealistic I wanted to literally kill Paul Haggis). The scene where he is sitting in his store watching his son harass a mentally handicapped Black youth outside is haunting; purely haunting. Cast aside the fact that I think Spike Lee is a terrible person, this film in general is really not that good.

What a pity. Spike tries really hard to create something profound but instead manages to further cement stereotypes and in the end takes us nowhere. The decision to end the film with two conflicting quotes from Martin Luther King Jr. Honestly, anyone that downgrades `Crash' for being far too heavy-handed and unrealistic in its portrayal of race relations, yet lauds `Do the Right Thing' is obviously out of their minds; for the two films are practically the same film. Mookie doesn't get along with Sal's oldest son Pino, but he seems to be friends with Vito.

His ideas are far too one-track-minded. Mookie is a lazy kid who fathered a baby out of wedlock and hardly makes time to see his girlfriend and his son. and Malcolm X was also a strange one, for it leaves the viewer with a sense of misplaced commitment. The film basically moves around with no real point for a long time, filtering in conversations between Blacks and Italians and Whites and Asians and Latinos in an attempt express racial tension and stereotypes.

Many have mentioned the final frames of outlandish violence and this is possibly where the whole film falls to pieces for with all of Spike's heavy handling he failed to create something universally moving. And anyone who considers Ron Howard `heavy-handed' should watch our, because Spike pours on layers thick, and honestly, he lacks the technique to smooth those layers out. He works for the local pizza place run by Italian Sal and his two sons. Be forewarned; minor SPOILER here. There are a lot of characters that are very unlikable, but that doesn't mean the performances were bad.

Spike Lee misses the whole idea behind race relations, concentrating on one particular struggle and ultimately holding their actions, no mater how perverse, on a pedestal as if they could do no wrong. When he is working from another medium (as with `25th Hour') he does a really good job, for he is a very good `director', but honestly I don't think he is a very good `writer'. It was messy and frustrating; not in a good way. His portrayal of Sal, the only sympathetic character in the film, is devastatingly effective.

The fact that, in the end, when a young man is murdered by the police we are expected to all of a sudden forget the fact the he was nearly five seconds ago harassing a man at his place of business for requesting that he turn down his radio, and the poor man, after trying to get this beatbox toting thug to leave finally breaks his stereo only to have this young man attempt to strangle him; well it's rather ridiculous.

Some of the conversations are insulting and degrading, but then again there are a few that actually shed some light on the root problem Lee was attempting to broach.

He allows no room for interpretation and his personal observations are rather offensive at times.

Rosie Perez is a spitfire here, lighting up every scene she embodies, and Ossie Davis and Ruby Dee make a nice pair as the block elders.

In the end I cannot recommend `Do the Right Thing' because it really insults me and should insult the intelligence of the modern American.

Spike Lee is the type of director who either scores very high or sinks very low.

there was `Do the Right Thing'.

Sure, I am not an advocate for police brutality, but Spike tries so hard to capitalize on the Black mans struggle that he fails to pinpoint the real issues.



Do the right thing
 

His honest portrayal of communities like this one overshadows the lack a specific plot. Later on though, different character dynamics begin to take prominence and the point of the film becomes clearer. I'm especially impressed by Spike Lee's ability to write, direct, and act in his films, especially at his young. Normally I would immediately be put off by this in a film but I think Lee makes it work. For a large part of the film I had trouble finding any particularly coherent plot. The film starts out quite simple, simply showing life in New York in a black neighborhood. Spike Lee doesn't try to bring unrealistic closure to the issues being dealt with. This is another thing that normally would cause me to not like a film but I think it fits the subject matter.

I thought Do The Right Thing was a very good movie and deserves the acclaim it has been given and the place of cultural significance it has. The deeper messages of the film are especially interesting though many things in the plot don't seem to get resolved. Overall i quite liked the film and while there are some specific complaints that i have it still warrants praise, especially for its complex and controversial subject matter. Do The Right Thing is a very loud and in your face film and set Spike Lee up for a long career are racially charged films. The acting in the film plays a large part in making to film seem real and all the actors played their parts well.



Summer in the city
 

Criterion-what took you guys so long. From the opening credits, which literally explode onto the screen with a muy caliente Rosie Perez busting some serious moves to the strains of Public Enemy's "Fight the Power", to the jaw-dropping climax, this is one of those rare films that manages to engage mind, body and soul all at once. One of the few films on the subject that is not afraid to admit to and confront the fact that bigotry comes in all colors. The cast includes Ossie Davis, Ruby Dee, Danny Aiello, John Turturro and Giancarlo Esposito. Director Spike Lee wastes no time turning up the heat in this provocative allegorical dramedy about race relations in America, filtered through a day in the life of Brooklyn's multi-ethnic Bed-Stuy neighborhood. I think it remains his finest work to date.



Shockingly overrated
 

What Lee has constructed is a fantasy playground for himself. Not coincidentally, Mookie is played (badly) by Lee himself.

As his body of work shows, he's primarily interested in the lives of black Americans. Oh, and he gets to keep the money Sal owes him, plus more if he wants it.

There is not one single likable character to be found in this picture, least of all the main character, whom Spike Lee presents as a saint for inciting a race riot. What an awful message; what an awful movie.

For instance, not only does Mookie get to dramatically kick off the race riot (by throwing a garbage can through a window), he also gets to come back and hobnob with the proprietor of the destroyed pizzeria. Go ahead and rate my review as unhelpful if you want, but in my opinion this movie, like so many other made by Lee, presents his wet dream of race relations: Blacks, whites, and other minorities are equally stereotypical and horrible, but blacks are at least cool, which allows them to commit outrageous acts of destruction and get away with it.

The entire world loves this movie for reasons I have yet to comprehend. His vision, however, often manifests itself as immature and highly unrealistic.



A beautiful movie, by the genius of our time.
 

When they burned down the shop as a act of revolution for killing radio rahiem it was Malcolm X, not to say that Malcolm was violent, he was nonviolent, and peaceful man who believed in self defense, however, he said that revolution is violent and that is what happened. By buggin' out boycotting Sal's Pizzeria for selling pizza to African Americans in their community, and not acknowledging them (pictures on the wall), he represents Martin Luther King. This being stated a common point is often missed in the film when Martin Luther King Jr. Spike Lee is the last classic director we have in illustrating what America tries to hide, and challenges us to change it. and Malcolm X. The day like this one has happened in communities across America racial tension and all and it is about time that somebody said documented it. It is downright dazzling that Spike Lee can show culture whether black, Italian, Chinese, and white in a fun perspective when talking about race.

Lee shows that as diverse as America is, instead of diplomatically talking out our differences, we fear what we do not understand and as minorities fight ourselves, while (some) of the racist majority laugh as they like to see our downfall. In the end Spike Lee communicated how a man lost his shop and another man lost his life becuase we did not, and still at times are not working together to solve our problems. This movie glows as it shows the racial tension that still goes on today. They and the black characters both did. MLK boycotted to make a difference and when inspiring leadership he found it hard to get followers in some states (like buggin out did). As we all know it is the tale of race relations in America, set in Brooklyn in the Bedford-Stuyvesant community. Do the right thing is amazing.

Who did the right thing.



 

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